Michele Oldrati // PANTOUM OF WATER: MANKIND’S VICE

Condensed into cloud, tamed by the world.
From heaven I glimpsed the beauty of an alluring orb. And its pain, I became fluffy at times. Oh, how much I loved myself then,
Kids now play with me, as if playing with spheres of love.

From heaven I glimpsed the beauty of an alluring orb. And its pain, I sometimes run downhill
Kids now play with me, as if playing with spheres of love.
The excitement and contentment of a sour future

I sometimes run downhill
Strolling down the steep gorges of rocky mountains,
The excitement and contentment of a sour future
when things go acutely awry

strolling down the steep gorges of rocky mountains,
past the alluring plains: trotting with my friends and family
when things go acutely awry
the debris of destruction, the pest

past the alluring plains: trotting with my friends and family
where the disaster happens. Pollution? Worse,
the debris of destruction, the pest
The shadowed shipwreck of a shivering shame

where the disaster happens. Pollution? Worse,
now back home with the minuscul and immense swimmers
the shadowed shipwreck of a shivering shame
and we all rise to meet our destiny again.

now back home with the minuscul and immense swimmers.
I became fluffy at times. Oh, how much I loved myself then,
and we all rise to meet our destiny again.
Condensed into a cloud, tamed by the world.

Maya Anand // WINDWARD

I sit still among the weary, huddled masses longing for a place to rest,

My leg bounces rapidly, filled with anticipation and anxiety,

My brother wakes and tugs my hand, a whisper to my ear,

I tell him we come from a place once called home, now just a terror,

But soon, there would be more to see and more to do,

That our lives would change with this new land,

That our hearts could fill with joy once again,

That we would be happier soon,

That we came to escape a life of dread,

Leaving our pain in the wind.

Matteen T // VOID

There he stands, by himself, alone,
Leaning against his red Pontiac Trans Am.
Smoke rises in the air, a cigarette in his hand.
He stares down in contemplation,
With his leather jacket he is locked against the door. The sun falls in the so near distance;
It burns against the front of his body,
His sunglasses mirroring the pain.
Darkness fades into the world around him,
Casting behind him, alongside his shadow,
The beast of the night consumes him.
He drops his cigarette, out of his hand,
Rubs it into the pavement with his boot.
He enters his vehicle, leaving his past behind him. The 1977 Firebird welcomes him,
And he drifts into the endless void.

Claire Johnson // CHANGE IS NOTHING

Change is nothing,
Unless
you bring it before you.

Shape it into a beautiful sculpture,
and fill
all
ats cracks and hollows

Change is an
intangible
wonder

When brought inside us all,
It is pumped
through our heart,
Brushed
through our hair,
Felt
in our bones.
And all the way
at the tips of our fingers

Change is
Nothing

Unless we all work together
Fighting the fight
With the sweet, sweat on our brow
to bring out the best in each
Mother,
Father, and
Brother.

Catalina L. // IMMORTAL BLAZE

The fog surges,
the sunrise awaits.
Complete serenity,
Rain, clarity
Yearning a shift.
The vapor cascades down,
Warmth, lucidity
a place
home to a dove.

Enchanting,
Captivating
Enduring the luminosity,
letting yourself immerse,
through the fog
the rain
The city of eternal spring.

Till nightfall,
and sunset
when the city becomes viable.
Light surges from the mountains,
overlooking the beacon
Sending the reek of death beyond
the enchantment
at the cusp of your fingers
Medellin

A shocking paradise
Where dark meets outstanding light.
Acquires a feeling of intimacy
Everyone ecstatic,
Joyful
content
Lights glowing
Water glistening
enchantment
Colombia.

Anubhab Das // REGRET

As the man drank the soda, he felt the sting of regret, And began to realize the repercussions of his actions. Slowly, the tears began to wash down his face. Then came the consequences of his transgression.
His sensei came into the fray. His sensei’s presence was like a raging bull. The man got on his knees and bowed in desperation. The slew of emotions made him want to die.
As he begged for forgiveness, His sensei smiled. Then proceeded to pull out a sword. The man became saturated in fear. But he was not given the time to utter a word.
Then he felt the sting of regret.
Author’s note: This poem was originally titled “Soda” because it originally was an apology poem in which somebody drinks someone else’s soda and apologizes about how they were wrong for doing so. The people who read it described how it was very vague and in general it was just difficult to understand what the poem was trying to portray and who was speaking in addition to what was going on within the poem. This made me change the story within the poem such that it was more specific an easier to tell what it was actually referring to with a man drinking a soda and then getting cut down by his sensei for whatever reason. Since the actual poem got more specific I changed the title to something a bit more vague like “Regret” and I felt it fit the new one better that was less centered around soda. Additionally, during revision I added a line break in the last stanza between “As he begged for forgiveness” and “His sensei smiled” in order to dramatize the second line and highlight the tonal shift from that point onward in the poem to a darker, more serious tone. Furthermore, I used consonance (His sensei’s presence) to establish how foreboding and intimidating the sensei’s presence is. The reason for why the sensei kills the man and the man feels regret is left ambiguous as it is not directly relevant to the theme of the poem. The poem is suppose to express how the consequences of a person’s action will always catch up to them and they will receive retribution accordingly. This new theme was really surprising to me as before with “Soda” the tone and theme were relatively light hearted, so this change to a darker tone was surprise to me. In terms of what I like about the poem, I really like how at the end I repeated part of the first line and made it pack that extra punch in the final line of the stanza and properly end the poem.

Kacey J // ME AND YOUNGER ME

When your eyes are turned outwards, you do your best to stretch the distance between the two of you.
Notice the distinction.
She is not stacked inside of you like a nesting doll, but cut out like a piece of paper.
When your eyes are turned inwards, the distance between you shrinks. It’s an uncomfortable closeness,
but here you are, cheek-to-cheek.
It’s hard not to feel embarrassed when you look at her gapped-teeth and pigtails.
It’s hard not to feel sorry when she points to your short hair and reminds you that you always wanted to grow it
out long.
Tell her how you do things she always wanted to do;
You cross the street without holding anyone’s hand, you read old books with no pictures.
In return, she reminds you of the smell of sunscreen and the sound of rubber shoes against linoleum floor,
Running down the hall and bursting through the door, out onto the playground,
Hot sun beating down, sweat sticking your bangs to your forehead.

Erin Cullinan // THAT OTHER GIRL

I stare at the Girl that lives inside the mirror.
She always follows my lead,
She never strays from my command.
The reflective glass inside my room holds Her prisoner.
She does not complain, for She cannot.

I control what She says, when She moves, and how She looks.
She controls how I feel about myself: She feeds on my insecurities.
Our relationship is symbiotic in most ways:
She cannot exist without me
And without Her what would I be?

I cannot exist without Her and without me what would She be? Our relationship is symbiotic in most ways: I control how she feels about Herself: I feed on Her insecurities. She controls what I say, when I move, and how I look.

But I do not complain, for I cannot. I am a prisoner of the reflective glass in Her room. I never stray from what She says. I always follow Her lead. I forever stare at the Girl who lives outside of the mirror.

Amy Finkelman // BEFORE YOU WERE BORN

Before you were born, you were the thought of fear about the future. Before you were born, you were a
mistake, an accident, and now a problem. Before you were born, your parents were working on a farm,
picking vegetables, and growing rice. You were living on a farm, hours outside of the city, up on a
mountain, in a tiny village. Before you were born, your parents worried about providing food for
themselves. You were a pea-sized fetus, undernourished, and under-developed growing each day.
Before you were born, you were the joy that brought a smile to your mother’s face, but tears, to your
fathers eyes. Before you were born, you were the fear of not getting the future you deserve. You were the
thought that your parents could not provide a life for you. Before you were born, you were the thought that
living somewhere else, becoming a new person, and having new parents would be the best option. The
only option.

Leanna Bai // ODE TO MY PIANO

I know that expressing my gratitude
is quite overdue.
You’ve been with me
before I knew what it means to live
completely and utterly passionately—
No.
You taught me.

You’ve been patient all this time
when I’d smashed your bright, shiny keys in frustration
when I’d played too hard and ripped the delicate plastic coverings
of your bright, shiny keys.
You’ve felt warm teardrops
drip onto the surface of your bright, shiny keys.

Even so,
as my fingers prance left and right
you give soul to the universe
and tell untellable stories.
When your voice is heard,
the mind explodes with a myriad of colors.

I know that I’ve worn you out all these years,
and I have to say your bench is quite uncomfortable
but I will not trade the bright, shiny keys
that taught me what it means to live.